Home News Doyle Bramwell plays the guitar upside down, a right hand guitar turned around, 1st string at the top 😳 amazing – The night in Portland in the summer of 2000 was never meant to be ordinary. Fans walked into the Rose Garden Arena expecting spectacle — the legendary Roger Waters back on stage, the larger-than-life founder of Pink Floyd, the architect of The Wall. But when the lights dimmed and the first quiet chords of Mother began, something else happened, something no one could have predicted. Roger leaned toward the microphone, his voice not booming like an icon, but trembling like a child daring to speak his fear aloud. “Mother, do you think they’ll drop the bomb?” — the words felt less like lyrics and more like an intimate confession, whispered to thousands of strangers who suddenly became family… VIDEO BELOW 👇

Doyle Bramwell plays the guitar upside down, a right hand guitar turned around, 1st string at the top 😳 amazing – The night in Portland in the summer of 2000 was never meant to be ordinary. Fans walked into the Rose Garden Arena expecting spectacle — the legendary Roger Waters back on stage, the larger-than-life founder of Pink Floyd, the architect of The Wall. But when the lights dimmed and the first quiet chords of Mother began, something else happened, something no one could have predicted. Roger leaned toward the microphone, his voice not booming like an icon, but trembling like a child daring to speak his fear aloud. “Mother, do you think they’ll drop the bomb?” — the words felt less like lyrics and more like an intimate confession, whispered to thousands of strangers who suddenly became family… VIDEO BELOW 👇

News Admin · September 4, 2025 · Comments off

Doyle Bramwell plays the guitar upside down, a right hand guitar turned around, 1st string at the top amazing – The night in Portland in the summer of 2000 was never meant to be ordinary. Fans walked into the Rose Garden Arena expecting spectacle — the legendary Roger Waters back on stage, the larger-than-life founder of Pink Floyd, the architect of The Wall.

04/09/2025

When Roger Waters Whispered “Mother,” Katie Kissoon Answered — And Portland Witnessed a Once-in-a-Lifetime Musical Confession

It was June 27, 2000, inside Portland’s Rose Garden Arena. Thousands of fans gathered, expecting spectacle — lights, sound, a legendary Pink Floyd co-founder returning to the stage. What they got instead was something more fragile, more human. When Roger Waters leaned into the microphone and began “Mother, do you think they’ll drop the bomb?”, the arena hushed. Every lyric suddenly felt less like a rock song and more like a confession whispered in the dark.

By his side stood Katie Kissoon, a voice that many knew only as “backing vocal.” But that night, her presence turned the performance into a dialogue — a call and response between vulnerability and reassurance. Dressed simply, clutching her microphone with quiet strength, Kissoon embodied the “Mother” figure in the song. Her harmonies weren’t just notes; they were lifelines, wrapping around Waters’s raw delivery like a protective embrace.

For longtime fans, “Mother” had always been a haunting track from Pink Floyd’s The Wall. But live in Portland, it became something else entirely — a moment of theatre, of intimacy, almost like overhearing a private conversation between a frightened child and a guardian spirit. Each time Waters sang his questions, Kissoon’s replies came steady, unshakable: a reminder that music, at its core, is about trust and connection.

The performance was captured for eternity on the In the Flesh – Live DVD and double album, released later that year. Watching it now, decades later, one can still see the tension in Waters’s face, the careful patience in Kissoon’s delivery, and the way the crowd held its collective breath. No fireworks, no pyrotechnics — just the delicate electricity of honesty.

VIDEO BELOW

Kissoon herself has toured with countless legends, from Eric Clapton to Van Morrison, but many fans point to this moment with Waters as her most unforgettable. In an era when live shows often chase bigger, louder, flashier, Portland witnessed something stripped bare: a legendary rock star letting go of myth, and a singer who turned a supporting role into the heart of the story.

More than two decades later, people still return to that video online — not for nostalgia, but for healing. Because in “Mother,” performed by Roger Waters and Katie Kissoon on that summer night, the world was reminded that even in the chaos of rock and roll, there is space for silence, for care, and for the kind of musical conversation that feels almost like prayer.

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