counter hit xanga Lainey Wilson lit up the CMA stage like a firecracker, diving straight into a high-energy mashup that had the star-studded crowd on its feet within seconds. She rolled through a chain of classic country hits with the ease of someone born for the spotlight—belting out Chris Stapleton’s “White Horse” alongside Charlie Worsham, kicking things up a notch with “Hillbilly Deluxe,” and keeping the momentum alive with Ella Langley and Riley Green on “you look like you love me.” The crowd roared as she powered through “Redneck Woman,” poured her heart into “Need You Now,” and unleashed the grit of “Gunpowder and Lead.” She wasn’t done yet—Lainey stunned everyone by teaming up with Little Big Town for a soulful “Girl Crush,” then closed the medley by tearing into “Where the Blacktop Ends” with Keith Urban himself. It wasn’t just an opening—it felt like a full concert jammed into one electric moment… WATCH BELOW 👇👇👇 -

Lainey Wilson lit up the CMA stage like a firecracker, diving straight into a high-energy mashup that had the star-studded crowd on its feet within seconds. She rolled through a chain of classic country hits with the ease of someone born for the spotlight—belting out Chris Stapleton’s “White Horse” alongside Charlie Worsham, kicking things up a notch with “Hillbilly Deluxe,” and keeping the momentum alive with Ella Langley and Riley Green on “you look like you love me.” The crowd roared as she powered through “Redneck Woman,” poured her heart into “Need You Now,” and unleashed the grit of “Gunpowder and Lead.” She wasn’t done yet—Lainey stunned everyone by teaming up with Little Big Town for a soulful “Girl Crush,” then closed the medley by tearing into “Where the Blacktop Ends” with Keith Urban himself. It wasn’t just an opening—it felt like a full concert jammed into one electric moment… WATCH BELOW 👇👇👇

Wilson ran through signature smashes from Ella Langley, Miranda Lambert, Shaboozey, Little Big Town and many more — sometimes with help from the original artists.

Lainey Wilson and Charlie Worsham perform onstage during the 59th Annual CMA Awards at Bridgestone Arena on November 19, 2025 in Nashville, Tennessee.
Lainey Wilson and Charlie Worsham perform onstage during the 59th Annual CMA Awards at Bridgestone Arena on November 19, 2025 in Nashville, Tennessee.

Following a Luke Combs performance of “Back in the Saddle,” host Lainey Wilson properly kicked off the 2025 CMA Awards, with a medley of country favorites originally performed by some of the stars in the Nashville crowd.

After some introductory remarks about how excited she was to be hosting the awards and how the creators of all her go-to playlist jams were in the audience that night, Wilson offered to demonstrate the point herself: “How about I get my buddy Charlie Worsham up here on guitar and we sing ’em for y’all?”

Lainey Wilson Kicks Off CMA Awards With Star-Studded Medley

After Worsham dutifully joined her on stage with acoustic in tow, Wilson launched into Chris Stapleton’s “White Horse,” as the camera panned to Stapleton in the seats. That set the tone for an era-spanning medley, with a full band kicking in as Wilson started wandering the aisles at Bridgestone Arena to find the original artists of the songs she was racing through.

Over the course of her medley, Wilson also hit on Brooks & Dunn (“Hillbilly Deluxe”), Ella Langley (“You Look Like You Love Me”), Gretchen Wilson (“Redneck Woman”), Lady A (“Need You Now”), Miranda Lambert (“Gunpowder and Lead”), Shaboozey (“A Bar Song”) and Little Big Town (joining in with her for a full-group performance of “Girl Crush”). Following that, a six-string-strapped Keith Urban took the mic on stage to perform his ’00s classic “Where the Blacktop Ends,” with Wilson eventually accomapnying him on harmonies.

Lainey Wilson kicks off CMA Awards 2025 with fiery medley, help from Keith Urban, Little Big Town

The medley was a charming run through country history, with artists like Lambert, Shaboozey and Langley getting in the fun by dancing and miming to the camera along with Wilson. And the particularly good for Langley, who just minutes later accepted the awards’ single of the year award for the song Wilson serenaded her with.

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